Embodying melody through a conducting baton: a pilot comparison between musicians and non-musicians.
Identifieur interne : 000298 ( Main/Exploration ); précédent : 000297; suivant : 000299Embodying melody through a conducting baton: a pilot comparison between musicians and non-musicians.
Auteurs : Andrea Costantino [Italie] ; Nicola Di Stefano [Italie] ; Fabrizio Taffoni [Italie] ; Giovanni Di Pino [Italie] ; Manuele Casale [Italie] ; Flavio Keller [Italie]Source :
- Experimental brain research [ 1432-1106 ] ; 2020.
Abstract
Finger-tapping tasks have been widely adopted to investigate auditory-motor synchronization, i.e., the coupling of movement with an external auditory rhythm. However, the discrete nature of these movements usually limits their application to the study of beat perception in the context of isochronous rhythms. The purpose of the present pilot study was to test an innovative task that allows investigating bodily responses to complex, non-isochronous rhythms. A conductor's baton was provided to 16 healthy subjects, divided into 2 different groups depending on the years of musical training they had received (musicians or non-musicians). Ad hoc-created melodies, including notes of different durations, were played to the subjects. Each subject was asked to move the baton up and down according to the changes in pitch contour. Software for video analysis and modelling (Tracker®) was used to track the movement of the baton tip. The main parameters used for the analysis were the velocity peaks in the vertical axis. In the musician group, the number of velocity peaks exactly matched the number of notes, while in the non-musician group, the number of velocity peaks exceeded the number of notes. An exploratory data analysis using Poincaré plots suggested a greater degree of coupling between hand-arm movements and melody in musicians both with isochronous and non-isochronous rhythms. The calculated root mean square error (RMSE) between the note onset times and the velocity peaks, and the analysis of the distribution of velocity peaks in relationship to note onset times confirmed the effect of musical training. Notwithstanding the small number of participants, these results suggest that this novel behavioural task could be used to investigate auditory-motor coupling in the context of music in an ecologically valid setting. Furthermore, the task may be used for rhythm training and rehabilitation in neurological patients with movement disorders.
DOI: 10.1007/s00221-020-05890-z
PubMed: 32725358
Affiliations:
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Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome, Italy. andrea.costantino94@gmail.com.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Integrated Sleep Surgery Team UCBM, Unit of Otolaryngology - Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author><author><name sortKey="Di Stefano, Nicola" sort="Di Stefano, Nicola" uniqKey="Di Stefano N" first="Nicola" last="Di Stefano">Nicola Di Stefano</name><affiliation wicri:level="1"><nlm:affiliation>Department of Philosophy and Cultural Heritage, Ca' Foscari University of Venice, Venice, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Department of Philosophy and Cultural Heritage, Ca' Foscari University of Venice, Venice</wicri:regionArea><wicri:noRegion>Venice</wicri:noRegion></affiliation><affiliation wicri:level="3"><nlm:affiliation>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author><author><name sortKey="Taffoni, Fabrizio" sort="Taffoni, Fabrizio" uniqKey="Taffoni F" first="Fabrizio" last="Taffoni">Fabrizio Taffoni</name><affiliation wicri:level="3"><nlm:affiliation>Advanced Robotics and Human-Centred Technologies - CREO Lab, Campus Bio-Medico University, Rome, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Advanced Robotics and Human-Centred Technologies - CREO Lab, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author><author><name sortKey="Di Pino, Giovanni" sort="Di Pino, Giovanni" uniqKey="Di Pino G" first="Giovanni" last="Di Pino">Giovanni Di Pino</name><affiliation wicri:level="3"><nlm:affiliation>Research Unit of Neurophysiology and Neuroengineering of Human-Technology Interaction (NeXTlab), Campus Bio-Medico University, Rome, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Research Unit of Neurophysiology and Neuroengineering of Human-Technology Interaction (NeXTlab), Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author><author><name sortKey="Casale, Manuele" sort="Casale, Manuele" uniqKey="Casale M" first="Manuele" last="Casale">Manuele Casale</name><affiliation wicri:level="3"><nlm:affiliation>Integrated Sleep Surgery Team UCBM, Unit of Otolaryngology - Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Integrated Sleep Surgery Team UCBM, Unit of Otolaryngology - Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author><author><name sortKey="Keller, Flavio" sort="Keller, Flavio" uniqKey="Keller F" first="Flavio" last="Keller">Flavio Keller</name><affiliation wicri:level="3"><nlm:affiliation>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome, Italy. f.keller@unicampus.it.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation><affiliation wicri:level="3"><nlm:affiliation>Laboratory of Developmental Neuroscience and Neural Plasticity, Campus Bio-Medico University, Rome, Italy. f.keller@unicampus.it.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Laboratory of Developmental Neuroscience and Neural Plasticity, Campus Bio-Medico University, Rome</wicri:regionArea><placeName><settlement type="city">Rome</settlement><region nuts="2">Latium</region></placeName></affiliation></author></analytic><series><title level="j">Experimental brain research</title><idno type="eISSN">1432-1106</idno><imprint><date when="2020" type="published">2020</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Finger-tapping tasks have been widely adopted to investigate auditory-motor synchronization, i.e., the coupling of movement with an external auditory rhythm. However, the discrete nature of these movements usually limits their application to the study of beat perception in the context of isochronous rhythms. The purpose of the present pilot study was to test an innovative task that allows investigating bodily responses to complex, non-isochronous rhythms. A conductor's baton was provided to 16 healthy subjects, divided into 2 different groups depending on the years of musical training they had received (musicians or non-musicians). Ad hoc-created melodies, including notes of different durations, were played to the subjects. Each subject was asked to move the baton up and down according to the changes in pitch contour. Software for video analysis and modelling (Tracker<sup>®</sup>) was used to track the movement of the baton tip. The main parameters used for the analysis were the velocity peaks in the vertical axis. In the musician group, the number of velocity peaks exactly matched the number of notes, while in the non-musician group, the number of velocity peaks exceeded the number of notes. An exploratory data analysis using Poincaré plots suggested a greater degree of coupling between hand-arm movements and melody in musicians both with isochronous and non-isochronous rhythms. The calculated root mean square error (RMSE) between the note onset times and the velocity peaks, and the analysis of the distribution of velocity peaks in relationship to note onset times confirmed the effect of musical training. Notwithstanding the small number of participants, these results suggest that this novel behavioural task could be used to investigate auditory-motor coupling in the context of music in an ecologically valid setting. Furthermore, the task may be used for rhythm training and rehabilitation in neurological patients with movement disorders.</div></front></TEI><pubmed><MedlineCitation Status="In-Process" Owner="NLM"><PMID Version="1">32725358</PMID><DateRevised><Year>2020</Year><Month>09</Month><Day>15</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1432-1106</ISSN><JournalIssue CitedMedium="Internet"><Volume>238</Volume><Issue>10</Issue><PubDate><Year>2020</Year><Month>Oct</Month></PubDate></JournalIssue><Title>Experimental brain research</Title><ISOAbbreviation>Exp Brain Res</ISOAbbreviation></Journal><ArticleTitle>Embodying melody through a conducting baton: a pilot comparison between musicians and non-musicians.</ArticleTitle><Pagination><MedlinePgn>2279-2291</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1007/s00221-020-05890-z</ELocationID><Abstract><AbstractText>Finger-tapping tasks have been widely adopted to investigate auditory-motor synchronization, i.e., the coupling of movement with an external auditory rhythm. However, the discrete nature of these movements usually limits their application to the study of beat perception in the context of isochronous rhythms. The purpose of the present pilot study was to test an innovative task that allows investigating bodily responses to complex, non-isochronous rhythms. A conductor's baton was provided to 16 healthy subjects, divided into 2 different groups depending on the years of musical training they had received (musicians or non-musicians). Ad hoc-created melodies, including notes of different durations, were played to the subjects. Each subject was asked to move the baton up and down according to the changes in pitch contour. Software for video analysis and modelling (Tracker<sup>®</sup>) was used to track the movement of the baton tip. The main parameters used for the analysis were the velocity peaks in the vertical axis. In the musician group, the number of velocity peaks exactly matched the number of notes, while in the non-musician group, the number of velocity peaks exceeded the number of notes. An exploratory data analysis using Poincaré plots suggested a greater degree of coupling between hand-arm movements and melody in musicians both with isochronous and non-isochronous rhythms. The calculated root mean square error (RMSE) between the note onset times and the velocity peaks, and the analysis of the distribution of velocity peaks in relationship to note onset times confirmed the effect of musical training. Notwithstanding the small number of participants, these results suggest that this novel behavioural task could be used to investigate auditory-motor coupling in the context of music in an ecologically valid setting. Furthermore, the task may be used for rhythm training and rehabilitation in neurological patients with movement disorders.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Costantino</LastName><ForeName>Andrea</ForeName><Initials>A</Initials><Identifier Source="ORCID">http://orcid.org/0000-0001-5551-7785</Identifier><AffiliationInfo><Affiliation>Integrated Sleep Surgery Team UCBM, Unit of Otolaryngology - Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome, Italy. andrea.costantino94@gmail.com.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Di Stefano</LastName><ForeName>Nicola</ForeName><Initials>N</Initials><AffiliationInfo><Affiliation>Department of Philosophy and Cultural Heritage, Ca' Foscari University of Venice, Venice, Italy.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome, Italy.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Taffoni</LastName><ForeName>Fabrizio</ForeName><Initials>F</Initials><AffiliationInfo><Affiliation>Advanced Robotics and Human-Centred Technologies - CREO Lab, Campus Bio-Medico University, Rome, Italy.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Di Pino</LastName><ForeName>Giovanni</ForeName><Initials>G</Initials><AffiliationInfo><Affiliation>Research Unit of Neurophysiology and Neuroengineering of Human-Technology Interaction (NeXTlab), Campus Bio-Medico University, Rome, Italy.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Casale</LastName><ForeName>Manuele</ForeName><Initials>M</Initials><AffiliationInfo><Affiliation>Integrated Sleep Surgery Team UCBM, Unit of Otolaryngology - Integrated Therapies in Otolaryngology, Campus Bio-Medico University, Rome, Italy.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Keller</LastName><ForeName>Flavio</ForeName><Initials>F</Initials><AffiliationInfo><Affiliation>FAST, Institute of Philosophy of Scientific and Technological Practice, Campus Bio-Medico University, Rome, Italy. f.keller@unicampus.it.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>Laboratory of Developmental Neuroscience and Neural Plasticity, Campus Bio-Medico University, Rome, Italy. f.keller@unicampus.it.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><GrantList CompleteYN="Y"><Grant><GrantID>871803</GrantID><Agency>H2020/ICT European project CONBOTS</Agency><Country></Country></Grant></GrantList><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2020</Year><Month>07</Month><Day>28</Day></ArticleDate></Article><MedlineJournalInfo><Country>Germany</Country><MedlineTA>Exp Brain Res</MedlineTA><NlmUniqueID>0043312</NlmUniqueID><ISSNLinking>0014-4819</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">Auditory-motor synchronization</Keyword><Keyword MajorTopicYN="N">Melody perception</Keyword><Keyword MajorTopicYN="N">Movement</Keyword><Keyword MajorTopicYN="N">Music perception</Keyword><Keyword MajorTopicYN="N">Pitch contour</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="received"><Year>2020</Year><Month>02</Month><Day>18</Day></PubMedPubDate><PubMedPubDate PubStatus="accepted"><Year>2020</Year><Month>07</Month><Day>20</Day></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2020</Year><Month>7</Month><Day>30</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2020</Year><Month>7</Month><Day>30</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="entrez"><Year>2020</Year><Month>7</Month><Day>30</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">32725358</ArticleId><ArticleId IdType="doi">10.1007/s00221-020-05890-z</ArticleId><ArticleId IdType="pii">10.1007/s00221-020-05890-z</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Italie</li></country><region><li>Latium</li></region><settlement><li>Rome</li></settlement></list><tree><country name="Italie"><region name="Latium"><name sortKey="Costantino, Andrea" sort="Costantino, Andrea" uniqKey="Costantino A" first="Andrea" last="Costantino">Andrea Costantino</name></region><name sortKey="Casale, Manuele" sort="Casale, Manuele" uniqKey="Casale M" first="Manuele" last="Casale">Manuele Casale</name><name sortKey="Di Pino, Giovanni" sort="Di Pino, Giovanni" uniqKey="Di Pino G" first="Giovanni" last="Di Pino">Giovanni Di Pino</name><name sortKey="Di Stefano, Nicola" sort="Di Stefano, Nicola" uniqKey="Di Stefano N" first="Nicola" last="Di Stefano">Nicola Di Stefano</name><name sortKey="Di Stefano, Nicola" sort="Di Stefano, Nicola" uniqKey="Di Stefano N" first="Nicola" last="Di Stefano">Nicola Di Stefano</name><name sortKey="Keller, Flavio" sort="Keller, Flavio" uniqKey="Keller F" first="Flavio" last="Keller">Flavio Keller</name><name sortKey="Keller, Flavio" sort="Keller, Flavio" uniqKey="Keller F" first="Flavio" last="Keller">Flavio Keller</name><name sortKey="Taffoni, Fabrizio" sort="Taffoni, Fabrizio" uniqKey="Taffoni F" first="Fabrizio" last="Taffoni">Fabrizio Taffoni</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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